The museum’s notes suggest, though, that all these massive materials, along with catwalks, digital printers, and displays of antique tools, speak to a critical abstraction: “the shift from a material-based economy to one in which technology companies seem to generate billion-dollar valuations out of thin air, nanotechnology continues to operate beyond the field of the visually apprehensible, and capital is accumulated as a pure concept.”Īdd to these shows Laurie Anderson’s virtual-reality experiences, Chalkroom and Aloft, and James Turrell’s otherworldly light sculptures, Perfectly Clear and Hind Sight (which all require advanced reservations), and it’s easy for anyone to spend hours wandering the grounds and galleries. More concrete are the shipping containers and shelters constructed out of stacked wooden pallets in “The Archaeology of Another Possible Future,” by Los Angeles-based artist Liz Glynn ’03. Her small landscapes of scenes from Lebanon and northern California sing with harmonious hues, as in Untitled (2017).Īlso evocative are the wild and wily works in “The Lure of the Dark: Contemporary Painters Conjure the Night.” Among those artists is Sam McKinniss, who mines the primal experiences of freedom, fear, and awe in his luminous Northern Lights (2017). Also on tap are more than 50 bluegrass and roots bands, all set to play at The FreshGrass Festival (September 14-16).Īrt exhibitions range from enormous installations and digital-media displays to sculptures and oil paintings.Įtel Adnan, author of The Arab Apocalypse, creates poetry and lyrical images through leporellos-paper works that unfold like an accordian-and on canvas. Blondie, the classic punk band, performs August 3, and Jaimeo Brown and his ensemble, Transcendence, offer a soul-enriching fusion of jazz, blues, and hip-hop on August 18. The annual Bang on a Can Summer Music Festival (July 12-28) features boundary-busting classical music and a family play-along session in a jeans-and-T-shirt setting. This summer, the museum offers more than a dozen contemporary art shows, along with music and dance concerts, comedy acts, and films.Įvents take place throughout 26 old mill buildings, including an iconic clocktower, in downtown North Adams, and curators make the most of courtyards, passageways, and lawns. Paz Lenchantin joined the Pixies as their bassist in 2016.Since opening in 1999, MASS MoCA has been a welcome and invigorating force within the Western Massachusetts arts-and-culture scene. Deal left the band in 2013 and was replaced by bassist Kim Shattuck, who was hired to tour with the band. The band broke up in 1993, but after gaining in popularity later in the decade, got back together in 2004 for a reunion show that led to them reuniting on a permanent basis. They are credited with influencing Nirvana, Radiohead, The Smashing Pumpkins and Weezer. Tickets: /pixiesįormed in Boston in 1986 by songwriter Black Francis and guitarist Joey Santiago, who had met while living in the same dorm suite at UMass-Amherst, the Pixies' original lineup included Francis, Santiago, Kim Deal and David Lovering. A $200 Modest Mouse VIP Experience that includes a special pre-show performance and Q&A also will be available. Tickets for the general public go on sale 10 a.m. Mass MoCA members/Spotify presale tickets go on sale 10 a.m. 26 as the third and final leg of the Pixies' 2023 North American tour stops at the Massachusetts Museum of Contemporary Art. NORTH ADAMS - Indie rock legends the Pixies and Modest Mouse will take the stage on Joe's Field 7 p.m.
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